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“Among the soloists Isolde Ehinger, who unfortunately has only one aria to sing, stands out the most. Her mezzo tinted with warmth and conture, the harmoniously coordinated color registers and the controlled leading of her voice make a lasting impression.”

Mannheimer Morgen, 3.12.2015 (Mendelssohn: Paulus)

“A fantastic alto part is given by the great mezzosoprano Isolde Ehinger.”

Mannheimer Morgen, 21.12.2012 (Bach: h-Moll-Messe)

“The mezzosoprano Isolde Ehinger was in a class of her own. (,,,) She rises and sparkles of musicality. Her coloraturas are in place, she enchants with her ability to take the listener downright into the music. Her performance has mind and soul, intelligent and intuitive at the same time. And all this with intoxicating charisma.”

Rhein-Neckar-Zeitung 22.12.2011 (Händel: Judas Maccabaeus)

“Isolde Ehinger touches the hearts of the audience with her pure mezzosoprano, her voice is never intrusive but always present.”

Backnanger Zeitung, 22.12.2010 (Liederabend)

“Isolde Ehinger gives her Hänsel with boyish gesture and fine wit, her mezzosoprano is of lean substance.”

Mannheimer Morgen, 11.4.2013 (Humperdinck: Hänsel und Gretel)

“Isolde Ehinger brought her well-focused mezzosoprano. fitted with the necessary richness of vocal color and able to withstand also the stronger orchestral waves over the ramp. Her boyish joyfulness and natural acting flexibility were a further plus.”

Hanauer Anzeiger 17.8.2013 (Humperdinck: Hänsel und Gretel)

“Very good grades deserved Isolde Ehinger as endearing Hänsel with her confident gripping mezzosoprano.”

Fuldaer Zeitung, 17.8.2013 (Humperdinck: Hänsel und Gretel